Powering Up:AC/DC is back and with a bite

 This past Friday , November 13th, Hard rock legends AC/DC released their 16th international studio album Power Up.  Prior to the recent release, AC/DC's future and status as a band was in shambles . Back in 2014, the band had to cope with the news of Malcolm Young's permanent departure/retirement  as he was diagnosed with dementia . Black Ice, which was released in 2008 would be Malcolm's final album with the band. In November of 2017, Malcolm Young passed away at the age of 64 . It was a crushing blow to AC/DC, the legions of fans, and most of all for Angus Young who was his younger brother. When the band teased two new single's from the upcoming album; "Shot In The Dark" and "Realize", I was skeptical . I love AC/DC and have grown up with their music and they will always hold a special place in my heart and yet the other part of me was thinking without the driving force of Malcolm Young's rhythm playing, would the band ever be able to capture the pure hard rock sound that has made the band a household name ? 

With Rock Or Bust which was released back in 2015 and it having some decent songs and an sub-par production mix, these elements were the two key factors for meon going into the album. I must say , Power Up is the bands best since 2008's Black Ice,  even to go as far back as the 30 year old release of The Razor's Edge. For starters, Stevie Young, who is the nephew of the late great Malcolm Young does a fantastic job rhythmically and respects his uncles craft. The real winners here however are Angus Young and lead singer Brian Johnson. Johnson's vocals have his trademark screech and Angus can still crank out blistering solos and a powerful sound with his Gibson Sg and Marshall amp .

The lead single "Shot In The Dark",  along with "Demon Fire", and "Realize"  all capture what AC/DC is known for . "Shot In The Dark", and "Realize" showcase Young's tasty and blistering blues playing while 'Demon Fire" is a throwback to such classics such as "Whole Lotta Rosie" and "Shake A Leg." 

Some critics have cited AC/DC as a band that will  never evolved musically or lyrically. AC/DC has been running on two fuels their entire career; a killer hard rock/blues/in your face rhythm and blistering guitar solos and lyrics that signify the ultimate party lifestyle . When you listen to AC/DC that is what your getting. With 2020 being such a disaster of a year, we needed this album. Welcome back boys !

Hitchin A Ride: A Boston Musical Hot Take

The USA have given us countless stellar rock n roll artists and bands throughout the decades. With pioneers like Chuck Berry, Elvis Presley, Little Richard, and Buddy Holly ; to the 60's counter culture California based heavyweights like The Mamas And The Papas, The Byrds, Jefferson Airplane ; to recent trailblazers like The Black Keys and The Strokes , our nation has no intention of slowing down. 

    Boston is without question part of that fantastic lineup mentioned above.  Boston was formed in Boston, Massachusetts around 1975 by founding member and multi-instrumentalist Tom Schultz along with lead singer Brad Delp, guitarist Barry Goudreau, bassist Fran Sheenan and John (Sib) Hashian. The band is known mostly for "More Than A Feeling". While that song is great in its own right, my musical hot take is to dig deeper into the bands catalog and to offer my honest critique.

For starters, Boston, the bands self-titled debut record which was released on August 25th, 1976, is highly regarded as one rock n roll's greatest debut records and it's for good reason. It helps that "More Than A Feeling" was the song that kicked off the album because it became the bands cash cow and a FM rock radio staple. However, this whole LP is chalk fulled with fantastic tracks that are pure American rock n roll and gave the term 'arena rock" its name. 

Key tracks to listen to are "Rock N Roll Band", "Smokin" 'Hitch A Ride" , "Foreplay/Long Time", and "Something About You" 

"Foreplay/Long Time" is in the same league with Bohemian Rhapsody as one rocks greatest epics . The begging is all band members running full steam ahead with Tom Schultz at the helm with the iconic organ/synthesizer intro. Then all is quiet while more organ is played and then like a rocket, the blistering guitar dueling from both Barry and Tom kick in and they give us what is now the immortal Boston sound ; the harmonized guitar parts. 

"Smokin" is a rock bar jukebox boogie in A with killer guitar work by both Barry and Tom (Tom gives it his all on the memorable organ solo) and Hashian's in pocket groove. 

The best song off the album however is "Hitch A Ride". This song alone showcases what Boston is truly made of and shows each band member at their full potential . The Song structure itself is remarkable as the song is tuned up a half of step. Most rock songs are usually standard, drop D, or either tune down a half step. The song kicks off with the ear pleasing acoustic guitar and Brad Delp gives his best vocal performance. Fran Sheenan lays down a killer bass line as well. The kicker for this song however, is the outro guitar solos provided by both Barry and Tom. The iconic Boston harmonized guitar parts are in full swing here and what I love about the solo is that not only is it flashy , but also soulful. 

My music hot take on Boston is this however. After their debut album , I believe the band truly never captured the raw/emotional feel that they once did like on their debut. Granted, they have made song decent songs like "Feelin Satisfied" but even that song alone seems timid compared to every single song on their debut. 

Boston. A band that came into the scene like a lion, and it's footprint  is forever stamped into music history.

R.E.M.- An honest musical hot take

 It's no question that I'm a music nerd and is what will always keep me going . Now, I know what you're thinking ? There's got to be a band or a certain artists that he can''t be fond of? The answer might surprise you but it's a fact. I have had my fair share of bands that I didn't like at all (at first). I didn't care for U2 for the longest time. I had no problem with the Edge and the other band members (though I admit now that in my opinion the edge isn't the most groundbreaking guitarist) Nope. My problem was with Bono. I thought he was preachy and full of himself .It was also because I was so used to FM rock radio playing the same hits over and over and over. But then I realized something . If I can love Bruce Springsteen even though he can be political; then why couldn't I give a liking to U2?  Once I discovered their first LP Boy and dug deeper into 1983's War, I swung in the other direction . 

Now you're probably asking yourself "What does U2 have to do with this R.E.M. hot take?" Well, I'll tell you. I've listened to a boatload of bands and artists in my life and I can honestly say that R.E.M. just doesn't cut it for me. The first part of my disliking can come from the constant radio play of their most popular tunes. If I had a nickle for every time I heard "Losing My Religion" "Everybody Hurts " "It's the end of the world as we know it (and I feel fine) , I would be a millionaire . Now just like U2, I wanted to give the same treatment to R.E.M. so like any good music nerd, I started from the beginning of their catalog. 

Here's the hot take. The bands sound and their songwriting doesn't bother me. When R.E.M released their first LP in 1983 titled Murmur , the sound and production of the record was fairly common at the time for lots of new-wave rock acts. Another factor that doesn't bother me are guitarist Peter Buck and drummer Bill Berry. I find Bill Berry to be a solid drummer and Peter Buck is an extremely gifted and underrated guitarist whose playing reminds me of a combination of both James Honeymoon Scott and Johnny Marr. My problem and what makes the buck stop for me is lead singer Michael Stripe. I can't stand for the life of me his vocal approach. I find his vocal approach to be throbbing and whiny to no end . I just don't understand why a lead singer can sound the way he does with a  band that clearly knows how to play their instruments. The song that can back up my opinion is their hit "The One I love" . Everything about the song musically sounds great .The track is polished and Peter Buck's guitar riff is killer while Berry lays a simple yet effective beat. Once again, Stripes vocals just turn me off completely.   

That's my hot take on Alt rock superstars R.E.M. I might be coming off as a Lester Bangs or Robert Christgau but just like them, I have my own crazy opinions.

Unchained; but never forgotten : Guitar god EVH dies at 65

 This past week , the music community, guitar players , and the world suffered a crushing blow. One of the most innovated guitar players to have ever lived passed away. That man was Eddie Van Halen. Van Halen alone changed the way guitar was played and the amount of players (including myself) he inspired cannot be more meaningful. He was born in the Netherlands on January 26th, 1955 and was the youngest son to Jan Van Halen and Eugenia Van Halen. When his family relocated to Pasadena, California , Eddie and his older brother Alex Van Halen would form a strong sibling bond and always practiced day and night on their instruments. Originally, the roles were switched. Alex was on guitar and Eddie was on drums . Thank goodness they flipped . Luckily, the other original Van Halen members David Lee Roth and Michael Anthony were  in a short distance of one another in the same neighborhood and soon enough the mighty Van Halen was formed. Talk about a Cinderella story. 

    Eddie Van Halen single-handedly revolutionized his own signature sound and technique and took all the fundamentals of the electric guitar, and flipped it on its  head. His guitar tone, pinch harmonics, and tapping technique  is to die for and is envied  by musicians everywhere. He was the guitar hero of not only my dad's generation, but his influence crossed over into mine. What I respect about Eddie the most is that he took his influences (Eric Clapton the most note worthy) and made a mark all his own . There will never be another like him ever again. 

    Eddie Van Halen and Van Halen as a whole have had a great impact on my life. Since my love for music began back in elementary school, I was introduced and exposed to some of the best music ever written. From The Beatles, The Stones, AC/DC, Cream, The Carpenters ,to Frank Sinatra I was an open book and took everything in. It wasn't until 7th and 8th grade when I finally got introduced into the mighty Van Halen. When I heard Van Halen for the first time , my mind was blown. I was immediately in love with  Eddie's guitar sound . I was obsessed on how heavy his tone was along with his underrated rhythm playing was (Mean Streets and So This is Love are the best examples).

Like so many other inspiring guitar players though , I was over the moon on the masterpiece what is known now as 'Eruption". No guitar player has or since then has created such a rule-breaking/ innovated instrumental since then . I could sit here and try to explain, but that would be just as useful trying to teach all you quantum physics. We would all have to ask the Mozart of guitar himself. 

Van Halen itself as a band itself got me through a rough patch in my life which was the dreaded years of junior high . Everyone knows what junior high was like. It's the time in your academic life where its that awkward period when your face looks like a pepperoni pizza, you're crushing on the prettiest girl in your grade, and you just want to fit in . For those of us who were awkward , Van Halen's music was that badass friend you always saw in those classic John Hughe's movies ;they walk the walk, talked the talked , and knew how to party and have a good time. With Van Halen's music in my arsenal (along with many other 80's hard rock acts) I felt like a total badass. 

Years later, I'm still a die hard fan and I don't plan to stop anytime soon . I'm personally a David Lee Roth era fan of Van Halen mostly because of how raw and powerful Eddie's guitar tone was on the bands first two LP's and Fair Warning, which is my all time favorite Van Halen record. Regardless if your'e in the Roth or Hagar camp, we can all agree on one thing ; Eddie Van Halen was an innovator , genius and a role model for music lovers and guitarist everywhere. 

Thank you Eddie Van Halen. You were one of a kind and a true master. There will never be another . Rest easy and fly high

Back on the Chain Gang:Essential Pretenders songs

The Pretenders are one of the best bands to have come out of the new wave rock movement in the 1980's. The original lineup consisted  of primary songwriter and lead singer/guitarist Chrissy Hynde;, lead guitarist James Honeyman-Scott; bassist Peter Farndon;  and drummer martin Chambers.Chrissy Hynde to this day is the only original band member. What made The Pretenders one of the best bands of the decade was that they combined Bealtesque lyrics. Byrds guitar work, and a laid back Eagles like sound . With that ammo , they created incredible songs that were unique and ahead of their time . Here are the essential tracks from their catalog .

"Brass in Pocket" Pretenders (1980)

The breakout hit from the bands debut LP, this song showed that The Pretenders were the real deal musically .Hynde got the song title from sitting in a British pub one night. She overhead a conversation with someone asking "picked up any dry cleaning ? Any brass in pocket?" Lyrically; plus the constant rotation of the music video playing on MTV, the song itself has a very different meaning. Hyne swoons and moans as the song depicts her as a waitress and will use her charm to hopefully pick up her fist encounter. Accompanied by great guitar work by Honeymann-Scott, and a a fun playful bassline by Peter Frandon , this song proved that the Pretenders were going to make their mark and stay around for a long long time.

"Kid" Pretenders (1980)

Kid is one of those Pretenders songs that is legendary, but sadly never gets talked about by fans unless your'e really into music . The song is a fantastic rock n roll ballad in the key of C which then modulates to E. Lyrically , it's about a son finding out his mother is a prostitute. The standout moment of the song though is James Honeyman-Scott's guitar playing. He plays with the style of Roger Mcguinn of the Byrds and yet sounds tougher and his guitar solo? Simple yet effective 

"Message of Love" Pretenders II (1981)

A smash hit of the bands second album is a non-cliche rock n roll love song about a successful relationship that can strengthen on both ends . It's a testament to Hynde herself because although she is the only female member in the band, she's not going to pull a Fleetwood Mac and let love and relationship get in the way of the music. Simplicity is runner on all cylinders here as the song revolves only around 2 chords. Going back and forth from A to G, the song showcases punk rock elements and is a fun bop till the end.

 

'Back on The Chain Gang" Learning to Crawl (1984)

 If I had to pick a Pretenders song to show an inspiring fan or to show what makes the band so musically genius , this is the song . The second song off of the bands 1984 comeback album, this song form start to finish is a musical masterpiece. The opening guitar line from newly recruited guitarist Graham Parker is so melodic and is oozing with Byrds and Tom Petty and The Heartbreakers influence. This is an emotional song for the band because its a tribute to former guitarist James Honeyman-Scott who died of a drug overdose in 1982 at the age of 26. "The picture of you" that Hyndes sings about is Ray Davis who is the lead singer of The Kinks. They briefly dated and had a daughter. As I said, this song is a musically amazing . You have a fantastic guitar line and great harmonies of songs that reflect the late 60's 

 

 

"Middle of the Road" Learning to Crawl (1984)

The opening track off their 1984 smash LP, this hard rocking blues rock song showcases that the band was influenced by former British blues innovators The Yardbirds. With a killer ascending and descending riff in A, this song was written as a crossroads when someone reaches middle age and is autobiographical to Hynde as she was 32 when she penned it . Regardless that it was written as a tongue in cheek midlife crisis, this song is pure bliss and to top it off ? A killer harmonica solo by Hynde.

Screen door slams Mary's dress waves: Born To Run at 45

 " I saw Rock N Roll's future and his name is Bruce Springsteen"- Jon Landau 

 

 

On August 25th, 1975 , Bruce Springsteen (The Boss) released Born To Run on Columbia records. Born To Run finally broke the mold for Springsteen and his life has since  become a Cinderella Story. Bruce was born in Freehold, N.J. to Adele Springsteen and father Douglas Springsteen. Springsteen came from blue-collard working roots and his childhood was anything but ordinary which he goes into great /heartbreaking detail in his superb memoir . Prior to Born To Run, his two previous albums Greetings From Asbury Park N.J.  and The Wild, The Innocent, and the E Street Shuffle already showcased Springsteen's sophisticated songwriting with classics such as Rosalita (Come Out Tonight) and It's Hard to Be a Saint in the City. However, critics were labeling him as "The Next Bob Dylan". Dylan was a major influence on Bruce, but he was itching to create his own mark on rock n roll. The first wise step was adding new members to the E Street Band like longtime childhood friend and guitarist Steve Van Zandt and drumming wizard Max Weinberg. With a new lineup at the forefront, Springsteen was able to create what we now know as The E Street sound. Born To Run is in the same class as timeless albums with the likes of Revolver and Goodbye Yellow Brick Road as in their isn't a single song to skip and is like the finest aged whiskys and wines . 

For starters, I can't think of any better opening track as Thunder Road. The minute you hear that opening harmonica line I'm instantly nostalgic for my childhood as my mother would sing me this song to help me fall asleep. Everything about Thunder Road is just euphoric . The opening piano line, Bruce's flowing lyrics , and the drumming of Max Weinberg is just incredible. Stand out lyric? "It's a town full of losers and I'm pulling out here to win" what a powerful statement . Every single teenager/young adult can relate to those lyrics because they're sick of their hometown ; want to break free and to make something of their life. Truly inspiring.

Tenth-Avenue Freeze Out established the now legendary E Street Sound. Thanks to Steven Van Zandt and his arrangement, we now have that  iconic horn intro backed up with James Brown style guitar technique.Of course the best part of the song musically is Clarence Clemons and his sax. The true bread and butter of the E Street Sound.

Jungleland is a 9 minute epic which I consider Bruce Springsteen at his lyrical best and is his rock n roll "Rhapsody In Blue" . Bruce paints a a lyrical landscape with iconic characters like "the barefoot girl drinking warm beer on the hood of a Dodge in the soft summer rain" to the West Side Story rumble being fought out in the alley . This is without a doubt his greatest achievement lyrically . 

45 years on, and it still never gets old. Every time I play it either on my turntable or in my car, there's always something fresh and new to discover. I hope to see him live one day. Till then, tramps like myself maybe really are Born To Run.

Like a newborn baby it just happens everyday; Mick Jagger at 77

Mick Jagger.The man is the pure example of the common term sex, drugs, and rock n roll.Though the legendary frontman has dropped the drugs , he truly defines what rock n roll stands for and its rebel attitude like his heroes before him with the likes of Little Richard, James Brown ,and of course; the king himself Mr Elvis Aaron Presley. Since The Rolling Stones emergence in 1962, Jagger along with Keith Richards, then founding member Brian Jones, former bassist Bill Wyman and Charlie Watts bought their love for the Chicago and Delta blues into the British Invasion and have been celebrated ever since . Jagger is the greatest frontman in the history of rock n roll . From his slim frame (he and I are the same waist size 29/30 and he still retains it), his sexual gyration dancing , and his commanding stage presence makes him the ultimate package. For over 50 years, men wanted to be him and woman wanted him . Today, we have 10 criminally underrated Rolling Stones songs that showcase the band's tight musicianship . These tracks also shine for Mick.

10. "Whose Been Sleeping Here" Between The Buttons (1967)

Released in January of 1967, Between the Buttons marked the beginning of the Stones brief psychedelic period. This hidden gem off the album strips back on the psychedelic formula and the listener is treated to a Dylan-esc folk rock ballad. Keith and Brian provide stellar guitar work while session pianist and longtime stones collaborator Nicky Hopkins giving us Chopin-inspired piano playing . Jagger's vocal take is soft and yet punchy . Lyrically, it's based on a jealous man and his feelings towards his significant other. Was it the butler? the baker? who knows. This is vintage Stones and has aged incredibly well .

9. 'Flight 505" Aftermath (1966)

The opening track on side 2 of the 1966 masterpiece LP has a Little Richard inspired piano intro provided by Nicky Hopkins and is a fun little rocker in the key of F. Keith Richards and Brian Jones showcase Chuck Berry double-stops on guitar while Charlie Watts showcases impressive drumming. The shining moment though is from Jagger himself when he sings

Well, I sat right there in my seat
Well, feeling like a king
With the whole world right at my feet
"Of course I'll have a drink"

It sums up perfectly how big The Rolling Stones were becoming and that it was just the beginning of their legendary careers.

8. "No Use In Crying" Tattoo You  (1981)

It's considered by many Stones fans that Tattoo You was the last great album the band has released. Granted there are stellar standout tracks from Voodoo Lounge and Steel Wheels ; but Tattoo You has truly great tracks when you get pass Start Me Up and Waiting on A Friend. No Use in Crying proves me point. This laid back soulful ballad in a Otis Redding style showcases Jagger's emotional side of singing . The fantastic mellow guitar parts laid down by Keith and Ronnie are fitting and to top it off, Mick does a high-pitch vocal breakdown around the 2 minute mark. A truly underrated ballad.

7. "Black Limousine" Tattoo You (1981)

This is another standout and criminally underrated song from the bands 1981 smash LP. The Stones have dipped their toes and experimented in every genre they could. However , the bands bread and butter is the blues and even though over the horizon the 80's would give way to synths and electric drum beats, The stones once again prove that the blues is the greatest art form to perform . The song is a killer Chuck Berry infused blues in G and the band just go to town . Jagger is in full form here vocally infusing his trademark emphasis on  certain words and an absolute soulful and powerful harmonica solo .

6. "Dear Doctor" Beggars Banquet (1968)

This country-style influenced mellow rocker shows that the Stones can go country when they felt like it and pull it off with ease; despite being chaps from across the pond. Keith and Brian provide great acoustic  guitar rhythms and to top it off, Mick does his best Americana accent during the climax of the tune . It was a tip of the hat to the country music genre itself because despite a lot of classic country songs displaying heartache and loss , it can provide humor when needed.

5. 'Goin' Home" Aftermath (1966)

Before their epic Midnight Rambler off of Let It Bleed delighted fans, this 11 minute blues epic paved the way for what was to become. This blues jam in E is the Rolling Stones love letter to the Chicago blues scene and it's shown in full force with Keith Richards Howlin Wolf inspired licks . Brian Jones provides Little Walter inspired harmonica as well. However, the track goes to Mick and him alone . Starting around the 5:30 mark, Jagger gives an electrifying vocal improvisation that oozes sexual innuendo and pure swagger . A great closer from the 1966 landmark LP.

4 "Sister Morphine" Sticky Fingers (1970)

This acoustic /electric country/blues inspired tune in A minor is stone cold . Originally recorded by Jagger's then girlfriend Marianne Faithfull the year prior. It's no surprised her version tanked . The song is lyrically very dark as it is about a man who gets into a fatal accident, and is sent to the hospital and put on morphine. Jagger pleads and moans while asking "why does the doctor; have no face!" The standout for this track comes from Mick Taylor's great slide guitar work.

3. "Shine A Light" Exile On Main St (1972)

This gospel /R&B inspired tune was written originally written back in 1968 as Jagger wrote the song for fellow band member Brian Jones as his drug problem was getting significantly worse and was originally titled "Get a line on you" but later was changed to the song title we know now. This is the stones love letter to the queen of soul Aretha Franklin as it is heavily influenced in the Muscle Shoals sound . Billy Preston provides blissful organ and Jagger once again provides a sultry and soulful vocal take .

2. "Moonlight Mile" Sticky Fingers  (1970)

When people think of acoustic Stones ballads they automatically think 'Wild Horses". Moonlight Mile is the unsung hero on the bands 1970 legendary LP and the most underrated Rolling Stones ballad period. The iconic opening riff in open G was actually created by Jagger himself and the rest of the guitar work is provided by Mick Taylor. Jagger croons and moans with meaning while the lyrics paint a bleak portrait of a man living on the road and wanting to next to his woman.

1. "Torn and Frayed" Exile On Main St (1972)

This country-rock and criminally underrated song from the Stones catalog was influenced by Keith's good friend at the time Gram Parsons . Gram Parsons was best known for his time with the Country Rock band The Flying Burrito Brothers . Lyrically, the song stands out because it shows how touring can take a toll on a band and the haphazardly events that can happen at sound check and backstage and Jagger delivers them perfectly. The stellar session musician Al Perkins plays the iconic steel pedal guitar line. Combine all these elements, and you have a Stones classic that begs to be bought up more in conversation.

Ain't Noise Pollution; top 10 AC/DC deep cuts

As far back as kindergarten, my father gave me my taste in good music. It's no secret because without it, I wouldn't have made this blog. One of the bands that he introduced to me at the time was Australian formed /Scotland born  rock royalty AC/DC. It's safe to say that the band had a tremendous effect on me musically . At the time, I never heard anything like it. The combination of Malcolm and Angus and their punchy, in your face guitar tone, Bon Scott's/Brian Johnson's raspy vocals, Cliff William's in the pocket bass lines and Phil Rudd's simplistic yet effective drumming and my kindergarten mind was blown . Since then , my musical tastes and bands have grown and AC/DC hasn't overstayed their welcome one bit. To close out my senior year of high school, I performed "Highway to Hell" as the closing number with fellow classmates and it was one in a million. Here are top 10 AC/DC deep cuts that unquestionably should have more recognition.



10. "Whisky on the Rocks" Ballbreaker (1995)

Ballbreaker marked the return of original drummer Phil Rudd who hadn't appeared on one the bands records since Flick of the Switch in 1983. Despite their age at the time, AC/DC delivered like they always do time and time again. The band is running on all fours here . Malcolm Young provides a groovy and bluesy rhythm section on his Gretch G131, while Angus provides his killer fills and a soulful solo and Brian Johnson at the forefront with his trademark howls and screams. Plus , this is the only AC/DC album that was produced by Rick Rubin who was the 90's own Phil Spector, so production wise was stellar.


9. "Stormy May Day" Black Ice (2008)

Black Ice would mark the final time all members; both AC/DC and the producers would be in original Back in Black format. Released in 2008, Black Ice gave AC/DC worldwide fame once more and the LP itself sounds amazing because the band wanted to recapture the sound and lyrical styles of Highway to Hell and Dirty Deeds Done Dirt Cheap. This track in particular shines because of Angus Young and his surprising stellar slide guitar playing. A must listen to one of the bands best albums post Back in Black.

8. "Beating Around the Bush" Highway To Hell (1979)

Highway to Hell would mark the final album with original frontman Bon Scott and it remains one of AC/DC's most beloved albums next to its equally power cousin Back in Black. Beating around the bush is a killer bluesy /hard rock joyride from start to finish and it has everything that makes AC/DC what they are ; simple and yet so effective. The main riff by Malcolm Young himself is heavily influenced by Fleetwood Mac's Oh Well. Angus Young provides a killer solo and great fills while Bon Scott is in full swagger . Cliff Burton provides in the pocket and stellar bass playing as well. It's true AC/DC in full force.

7. "High Voltage" High Voltage (1976)

High Voltage was the bands first international release in 1976 and put AC/DC on the map and a force to be reckon with. Lot's of signature songs came from this album including T.N.T., It's a long way to the top (if you wanna rock n roll) and The Jack. However, I feel that the title track is often overlooked. High voltage is the foundation on what AC/DC was going to become . Everything is here. Bon Scott's sexual innuendos and swagger, Malcolm's legendary rhythm playing, and Angus with his frantic/blistering solos . A strong and iconic sing along chorus, Bon wanting to get his kicks, and a guitar player lusting for that Malcolm tone drive this song home.

6. "Hell Ain't a Bad Place to Be" Let There Be Rock (1977)
1977. The year that Punk rock was starting to take full charge of the music scene. With innovators like The Sex Pistols, Ramones, The Clash and The Jam making their breakthrough, it's hard to believe that AC/DC's music was up against some noteworthy competition. Nonetheless , AC/DC kicked down the door and made sure their presence was here to stay . This track is underrated because it shows Malcolm Young's is more diverse than most critics give him credit for . This track allows his rhythm paying to be powerful and breathable . Highly would suggest this killer song off this 1977 powerhouse and is one of my favorites from the band.

5. "Gone Shootin" Powerage (1978)

AC/DC's Powerage is Led Zeppelin's Presence as in it's the bands most underrated album to date. It is also the first AC/DC album to feature permanent bassist Cliff Williams. This song proves my point.With thumping bass provided by Cliff, a steady drumbeat from Phil Rudd, and the most groovy guitar that Angus and Malcolm ever put to wax. This song has become a fan favorite and was even used in Beavis and Butthead Do America in 1996.

4.  "Night Prowler" Highway To Hell (1979)

The final track off Highway to Hell showcases that AC/DC can slow jam just as hard as they can when they're hard rocking. It's similar to the Stones classic "Midnight Rambler" as it is center around a killer who stalks his prey at night. Bon Scott's vocals are ghostly and chilling which is sadly ironic because he would then pass away the follow year . Scott died of alcohol poisoning (he choked on his vomit in his sleep) on February 19th, 1980. The song is unique for it's key signature which is Ab. Angus really shines on this piece because it showcases that he can play slow and powerful blues licks while also shred like the rest of them.

3. "Down Payment Blues" Powerage (1978)

The second track off the bands 1978 masterpiece is a rollicking bluesy rocker in B with a killer opening guitar part provided by the late great Malcolm Young . Lyrically , it's a song about a struggling musician who can't afford much ' let alone gasoline for his Cadillac. Phil Rudd provides a powerful and steady drum beat and like always , Cliff Williams with his pocket bass lines. Lots of critics always dismiss the band of being predictable musically . But that is the reason AC/DC is so beloved . A simple formula that proves  the saying "if it ain't broke, don't fix it "

2. "Ride On" Dirty Deeds Done Dirt Cheap (1976)

As I mentioned earlier, AC/DC has always had the same magic formula that has made them last the test of time . However, when they decided to record this heartbreaking  , realistic, ballad for Dirty Deeds, it's something the band pulled off effortlessly . It's a slow blues in they C with lyrics that people can relate to during times of trouble. With stellar backing vocals and Bon Scott at his best vocally, this song is a treasure in the catalog of the ultimate party band .

1. "Whole Lotta Rosie" Let There Be Rock (1977)

The final track off the bands 1977 Hard rock masterpiece is AC/DC in their hard rock peak . The song starts off with a rock n roll Led Zeppelin like riff , and from 0 to 60 the bands kicks it into overdrive form then on . Every single band member is running on all 4 cylinders. Bon Scott with his usual sexual innuendos and swagger, Malcolm Young's legendary rhythm work , and quite possible Angus Young's greatest guitar work ever recorded . His soloing is fast and melodic; his mid-bridge sharp pocket licks and an epic closing solo that solidify his place as a guitar god makes this AC/DC the hard rock gods we have hailed them to be .

I won't back down- Tom Petty and The Heartbreakers deep cuts

 It may seem that Summer 2020 has been turned on its head due to the Covid 19 pandemic. Our daily way of life has drastically changed . Whether it's grocery shopping, pick up from your favorite pizza joint , or restocking on Jameson for that Friday night Zoom happy hour toast with friends it can be hard to forget that summertime is about to burst out of its cocoon. With those family BBQ's  and your annual bar crawl with your closest friends are on hold, music is the true art form keeping our heads held high . Summertime and heartland rock n roll go hand in hand and it's no question that Tom Petty and The Heartbreakers are the quintessential band for the dog days ahead. Since we're all trying to stay positive, here are 10 Tom Petty and the Heartbreakers deep cuts to dive into .Petty's solo work is also included



10. "I Should of Known it" Mojo (2010)

This rollicking garage rocker with hints of The Yardbirds and Led Zeppelin from the bands 2010 smash album;  the first for the band in eight years is killer and it proves that despite their age, the band can truly rock out. Mike Campbell, whose been with the band since day 1, is unquestionably the most underrated guitarist in rock n roll and his playing is in full force on this track and cannot be overlooked . His blistering solo along with the dirty groovy opening lick is indeed "Mojo".



9. "Insider" Hard Promises (1981)

 Tom Petty and legendary rock n roll gypsy Stevie Knicks are no stranger to duets .  Their most notable for their collaboration on 'Stop Dragging My Heart Around" which was originally penned by Petty , but gave the song over to Stevie for her breakthrough solo album Bella Donna. This gem off of the bands 1981 LP showcases their talents once again. Backed by acoustic guitar, it's a beautiful ballad in A . Both of their voices mend flawlessly. For Knicks, the song structure is a callback to her days with Lindsay Buckingham and their indie hit "Crying In The Night."

8.  "Shadow of a Doubt" Damn The Torpedoes (1979)
Damn The Torpedoes unquestionably is The Hearbreakers studio achievement . Produced by studio heavyweight Jimmy Iovine and recorded at the legendary Sound City studios in Los Angeles, this album shot the band into overnight success. This Byrds infused track is what make Tom Petty such an accomplished songwriter . With lyrics like "She don't like working; she says she hates her boss" it can relate to many blue collar American workers. Add a killer guitar track from Mike Campbell, a pocket punchy bass line from Ron Blair, and the rest of the band on high alert and it's all the makings of a classic Tom Petty track.


7. "A Face In A Crowd" Full Moon Fever (1989)
Full Moon Fever was Tom Petty's debut solo album outside of The Heartbreakers. However, Mike Campbell contributed all the guitar parts. The songwriting itself was all done by Petty and Jeff Lynn, who is famous in his own right for being a founding member Electric Light Orchestra (ELO) and was in the supergroup The Traveling Wilbury's whose members also included George Harrison and Roy Orbison. This E minor ballad played on acoustic 12 string guitar is a prime example on how simple chords, a melody and a catchy chorus is Tom Petty's magic on creating timeless music .

6. "A Woman In Love (It's not me)" Hard Promises  (1981)
The second song off the bands underappreciated album , this tune showcases the trials and tribulations of love. It's the classic formula of being turned down by a beautiful girl and we've all been there . This song is unique because it shows how the band was keeping their roots in heartland rock while also showcasing music tropes of the 1980's. Stan Lynch's drumming is a key factor.

5. "Kings Highway" Into The Great Wide Open (1991)
 Off of the band's smash 1991 LP , Kings Highway paints a picture lyrically of two young lovers wanting to take off into the sunset and forget their troubles at home and wanting good fortune. A rocking country-rock melody in G, this song is perfect for road trips  and a reminder of small town America and it's impact on popular culture.

4. "I Need to Know" Your'e Gonna Get It (1978)
From the bands sophomore LP released in the spring of 1978. Musically, it's one of Petty's most driving rockers from the 1970's and it is oozing with 60's soul. Petty in fact credited Wilson Pickett's smash record "Land of a Thousand Dances" as the driving influence behind the song . A killer guitar solo from Mike Campbell and Benmont Tench's rolling piano during the bridge , the world was soon going to know the power of Tom Petty And The Heartbreakers.

3. "Hometown Blues" Tom Petty And The Hearbreakers (1976)
Written during Petty's time during his previous band Mudcrutch , Hometown Blues had a unique recording lineup . Petty got ex-Mudcrutch drummer Randall Marsh and legendary musician Donald "Duck" Dunn on bass . With it's simple lyrics and chord progression, this song is a blueprint on what would become Tom Petty's signature songwriting technique.

2. "Listen To Her Heart" Your'e Gonna Get It (1978)
Tom Petty has stated multiple times on how The Byrds had a profound influence on his work, and it shines here. The guitar part is oozing with Roger Mcguinn's style and attitude , and the rest of the Heartbreakers  beautifully together . Lyrically , the song is told in a cautionary point of view similar to She Loves You By The Beatles.The listener can gather that even though the man who is trying to impress the girl of his liking, the girl is going to listen to her heart and make her own decisions and quite frankly doesn't need him in her life.


1." Louisiana Rain " Damn The Torpedoes (1979)

The last song off the band's 1979 multi-platinum masterpiece, Louisiana Rain is without a doubt one of Tom Petty's most overlooked musical accomplishments as the American equivalent Lennon/Mccartney. Lyrically, Tom Petty paints a picture of man searching for himself through a breakup . Clearing his mind from the San Diego Sea and the welcoming hands of South Carolina; every time he starts to forget, the girl he once loved creeps back into his memory and he starts to weep. With a country rock /Eagles style chord progression, killer slide guitar provided by Mike Campbell and a Bob Dylan stylistic harmonica , this song is truly a gem.

I hope I die before I get old:The Who Live at Leeds turns 50

On May 16th, 1970 , Rock n roll's most frantic, legendary live act and studio wizards The Who released their critical landmark live LP Live At Leeds . The album was recorded at the University of Leeds Refectory in West Yorkshire, England on February 14th, 1970. This album is a milestone in The Who's career because it cemented The Who , at the given time, the greatest live band in the world. Of Course, it's without question that The Who prior to this legendary recording were becoming legendary all in good time. The Who formed in London 1964 with Roger Daltrey at the helm vocally, Pete Townhend on guitar (who also is the primary songwriter for some of the bands most timeless songs), John "The Ox" Entwistle on bass, and Keith Moon who is arguably the greatest drummer to have ever picked up sticks. The band released classics including "I can't explain", "Substitute", "A Legal Matter", "The Kid's Are Alright", "Pinball Wizard",in  and most famous "My Generation" which defined the mod movement in England at the time and became an anthem for anguish adolescents who were sick of their parents, school, and society. With Live At  Leeds, this magnum opus tied their previous work all together and forever cemented their legacy .



Personally, the tracks that stand out to me are the band's cover of 'Young Man Blues" originally written by Moses Allison who was a accomplished jazz musician, The epic closing jam of 'Magic Bus", and Eddie Cochoran's cover of "Summertime Blues"


For starters , "Young Man Blues" just explodes right when you put the needle down. The song is a fast kickstart blues in E and it shows off Townshend surprisingly articulate blues phrasing which is not common among Townshend's pocket filling rhythm playing . Keith Moon's drumming is cranked to 11 and is just an all out percussion frenzy while Dlatrey shines vocally with his trademark screams and his ultimate swagger.


'Summertime Blues" is a fantastic cover and a nice homage to rockabilly legend Eddie Chochran . What I like about The Who's version is that although the tempo, chord changes, and overall feel is different the band keeps the song at bay and respect it's origins .

"Magic Bus" however, is the greatest track on this legendary LP. John Entwistle has stated he always "hated" playing the song live because of the bass strictly just playing A, but that's what makes the song work . From start to finish this song is a roller coaster of a song and it really proves that some live tracks are better than the recording . It's truly a gem.

Live At Leeds is The Who at their live performance peak and the album is the template on what a live rock n roll album should feel, sound, and played . Although The Who now might just be Roger and Pete, fans can be assured that the classic line up will live forever on this LP, and in their purist form .

Little Richard;Rock and roll's archiet and first wildman dies at 87

"RIP to Little  Richard. The man who invented it. Elvis popularized it. Chuck Berry was the story teller"- Steven Van Zandt (Little Stevie)

"A-bop-bop, a-loo-mop,  a-lop-bop-bop"




This past weekend , rock n roll lost the last of it's founding fathers. That man was Little Richard. Richard, along with fellow heavyweights Elvis Presley and Chuck Berry undoubtedly created what we know today as rock n roll . Born Richard Wayne Penniman in Macon Georgia, on December 5th, 1932, Richard was the 3rd of 12 children of Leva Mae and Charles Penniman. His family was very religious and always attended Sunday masses . Richard was a Baptist and Pentecostal . Pentecostal churches sparked Richard's interest because of the charismatic worship and the lively music, which would help seal his legacy later on in his life. For his musical influences , his favorite singer growing up was gospel legend Sister Rosetta Tharpe.


His musical career began as early in 1947, when his idol Sister Rosetta Tharpe invited a then 14 year old Penniman to open her show at the Macon City Auditorium and she encouraged Richard to become a performer . For his piano playing, Richard's has stated that he was inspired to pick up the instrument because of Ike Turner's piano on the Jackie Brenston and his Delta Cat's EP "Rocket 88" which is credited to be the first rock and roll song ever recorded.


Although his record Here's Little Richard released by Specialty records in 1957 charted big in the United States and United Kingdom, Little Richard's greatest success was his singles . Throughout his decade long career, he had a slew of #1 hits including "Tutti Frutti, "Rip it Up, "Lucille" and "Keep a Knockin" which would inspire the iconic open drum groove for John Bonham on Led Zeppelin IV.

Aside from his musical career, Little Richard would loosely "quit rock n roll" and would take part in the church community serving as a minister and most famously ministered Steven Van Zandt's and Tom Petty's weddings.

Little Richard's influence on future rock n roll and legacy cannot be omitted. His style was fast , in your face, and flamboyant and because of his flamboyant swagger and intensity would inspire future legends like Mick Jagger, Elton John, and Freddie Mercury . He was inducted into the Rock and Roll Hall of Fame in 1986 as part of the founding class.  Little Richard was truly ahead of his time and his music , and style would be the bedrock for rock n roll . Thank you Little Richard you wild , beautiful soul. You're legacy will live on forever and you will be truly missed.

Green Day: a guide to their expansive catalog

This past week, Green Day's charismatic frontman Billie Joe Armstrong turned 48. To top that , Green Day released their 13th studio album Father of All Motherfuckers earlier this month . It's crazy to comprehend that Green Day as a band have been around since 1987 and that their first album was released in 1991 on the independent California based record label Lookout! records . Since they signed onto Reprise records and released their masterpiece Dookie in 1994, they have been living life in the fast lane ever since. To celebrate the bands legacy and the impact they have made on music and my own musical upbringing , I'm gonna break down their catalog to showcase the essentials , what needs to be looked at more, and what to avoid .



Essentials (must haves)

Dookie (1994)

The album that made Green Day a household name and won them the Grammy for best alternative album while also being credited to bringing punk rock to the mainstream audience . This album oozes with essential punk rock anguish . Punchy, straight forward guitar hooks styling The Ramones and The Who, Tre Cool's drumming channeling his inner Keith Moon, and the groovy and melodic bass line by Mike Drint on "Longview" Green Day showed that they were a force to be reckoned with.


American Idiot (2004)

10 years later, Green Day proved that along with being prolific musicians , they can tackle social change and the political climate . What we got was American Idiot, a rock opera Tommy like spectacle that is a freight train from start to finish . The album is packed with #1 hits including the title track , the multiple layered Jesus of Suburbia , and the classic two part epic Holiday/Boulevard of Broken Dreams . The main character is titled as the "American Idiot", and he's in anguish with school, his family, and society . This album gained the band a career comeback , and gained the band a whole new league of followers . I was in kindergarten when this album dropped , and it spread word of mouth throughout the concrete halls of Hillside elementary and I was hooked .



Nimrod (1998)

By the time 1998 rolled around, Green Day was on top of the world . Just like society , Billie Joe Armstrong and the rest of the band had lives of their own outside of the public eye. Billie Joe had been married since 1994, and by this time was about to become a father . Nimord's lyrical content express the realities and hardships of becoming a father. Stand out tracks include
Hitchin a Ride" and the coming of age "Good Riddance (Time of your life).



Further listening

Warning (2000)

When Warning was released in the fall of 2000, critics praised the album for Billie Joe Armstrong's prolific songwriting and for production . The band teamed up with producer Scott Litt, who previously worked with grunge and alternative giants Nirvana and R.E.M.
Billie Joe was highly influenced by Bob Dylan's 1965 landmark LP Bringing It All Back Home and based a majority of the lyrics and musical styles for inspiration. The title track, the tongue in cheek powerhouse "Minority", and "Warning" which is clearly a tip of the hat to The Kink's "Picture Book", and you have an album that shows that Green Day was more than just your run of the mill band and foreshadowed themes for American Idiot 


Revolution Radio (2016)

When the band released their politically driven , fast paced/in your face Revolution Radio in September of 2016, true fans were beyond pleased and Green Day was back with authority . Critics and fans were waiting on a solid , prolific material due to the band's mini trilogy Uno, Dos, and Tre were released back in 2012. The band did delivered . This track is filled with hidden gems including "Somewhere Now" "Bang Bang"  ( a social cry for America's gun violence) and the beautiful ballad "Ordinary World"


21st Century Breakdown (2009)
Green Day's second form of the rock opera cannon was released in the spring of 2009. The themes and elements follow the same principles as their predecessor but instead of calling out the media, politicians and the social norms, question them . '21 Guns' and "Know your Enemy" are the albums key songs that tackle these issues , however the album is filled with hidden gems along with the title track being a full out rock n roll epic. Add producer Butch Vig, who produced Nirvana's Nevermind, and I'm sure you would want to take a better listen



Avoid

Uno, Dos, Tre (2012)

Green Day decided to release a trilogy of albums in the fall of 2012 . Not much can be said about these albums that have already not have been said . The production is rushed , lyrics can be improved on , and it hasn't aged well. Despite "99 Revolutions" and "Oh Love!", which showcase classic Green Day trademarks , I would try to avoid these albums if you can . 

Look up here, I'm in Heaven- My top 10 David Bowie Songs

On January 10th, it marked 4 years sine the world lost the musical genius that was David Bowie. Bowie pushed not only musical boundaries and crossed genres , but he also established that you firmly feel comfortable in your own skin . I'm a old soul and even though my pop culture taste is dramatically different from my generation , I can confirm that almost everybody I meet has heard of Bowie. It's as common knowledge to know of Bowie like people know the Beatles and even Elvis Presley . Here are top 10 of my personal favorite David Bowie Songs .


10. "Sons of the Silent Age" Heroes (1977)

A real hidden gem off of Bowie's second Berlin produced records , this track really proves that Bowie could experiment and it pays off. With the Jazz fusion intro and synthesizers, It could of easily been a track from his Ziggy Stardust era only a few years back. Lyrically , the song revolves around the concept of the main character dealing with themes of psychotic withdrawal . The song is also a point a view on growing up and living through your young adulthood if you have previously read the short story How To Talk To Girls At Parties  by Neil Gaiman . I particularly love this track for Bowie's vocal delivery and studio drummer Dennis Davis with his laid back , groovy feel .


9. "Young Americans" Young Americans (1975)

The title track from Bowie's 1975 release has Motown and soul influences , and it bleeds all over . Like I said before , when Bowie could experiment , it works and works effectively. With another sax driven intro and Bowie channeling his inner Elvis Presley and climatic falsetto which channels Smokey Robinson , it's truly a song for the ages .


8. "Oh! You Pretty Things" Hunky Dory (1972)

The second track off of Bowie's 1971 masterpiece , this track is oozing with playful lyrics , tongue in cheek humor, and a staccato piano intro. The songs has the feel of vaudeville  throughout and it could easily fit into any Marx Brothers film . It's truly a gem of a track and would recommend giving it a listen , let alone the whole Hunky Dory album because it has some Bowie's best work .

7. "Ziggy Stardust" The Rise and Fall of Ziggy Stardust and the Spiders From Mars (1972)
The title track and main character on Bowie's breakthrough glam rock LP. This not only only shows Bowie and his Ziggy Stardust persona in full force, but also showcases his band which is believe it or not the Spiders From Mars. Mick Ronson is always overlooked as a guitarist . He may not solo like Jimmy Page or create memorable riffs like Keith Richards , but his tone and precision is crucial for the classic David Bowie sound we have come to know today and it shines beautifully from start to finish .

6.'The Jean Genie" Aladdin Sane (1973)
This song showcases how close Bowie came to achieve the famous Chicago blues based sound off his 1973 LP with the now forever famous makeup he flaunts on the cover . The famous fuzzy,  thumping riff was played in perfection by Ronson, but Bowie penned the riff . Lyrically , it's one of Bowie's many love letters to New York City and describe close friend and frequent collaborator Iggy Pop of the legendary punk band The Stooges. That same year, he helped produced Pop's most critical release Raw Power.

5. "Modern Love" Let's Dance (1983)
Let's Dance help ushered in a new generation of fans for Bowie. The album is packed with monster hits that ooze the new-wave movement . Modern Love is the best song off the LP though. Lyrically, the song is about struggle to find solace in love and religion . Bowie's idol growing up was Little Richard, and the song structure is centered around a call and response technique and is he tip of the hat to Richard's defining hit "Tutti Frutti". Unknown at the time but would soon become a legend in his own right , Stevie Ray Vaughan provided guitar for the LP , including this tune. Bowie recruited him after seeing him live and being blown away.

4. 'Life on Mars?" Hunky Dory (1972)
The shining song from Hunky Dory,the song is based on a interesting story that Bowie created . One being from a young girl's prospective and because of an argument with her parents and being sensitive to the media, goes to see a movie . The closing lines are the song title . Musically , Bowie was inspired by Frank Sinatra's My Way, and the piano chords are exactly the same. On the liner notes of the LP, you can see Bowie giving credit with (Inspired by Frankie) next to the track listing .

3. "Heroes" Heroes (1977)
The title track off of Bowie's most famous Berlin trilogy recordings , the song is inspired by Bowie's then producer Tony Visconti and one of backup singers who worked on the album . The story the song though is much more powerful in context . The song tells the story of two German lovers who were so devoted to one another and they would meet every single day under a gun turret on The Berlin Wall. It's a beautiful song, yet also melancholy . We can be heroes , but something is always missing .

2. "Moonage Daydream" The Rise and Fall of Ziggy Stardust and the Spiders From Mars (1972)
 The entire song oozes the whole Glam Rock persona Bowie was trying to achieve at the time . It's one the best songs off of the legendary LP and Bowie's vocals and Mick Ronson's guitar playing compliment one another perfectly. The song is also a standout for the soulful guitar solo Ronson plays that drives the song to a close. If you listening closely enough , the chord progression underneath the solo have the same feel to "Hotel California" by The Eagles.

1. "Queen Bitch" Hunky Dory (1971)
The cream of the crop for me when it comes to Bowie. I love everything about this track. The song is directly inspired and is a tribute to The Velvet Underground, who Bowie loved and imitates their gritty New York City style and sound. David Bowie loved Lou Reed (the rhythm/lead guitarist for the Velvet Underground) and the two would become lifelong friends. Bowie helped produced Reed's monumental debut solo LP Transformer the following year. The guitar provided by Mick Ronson is gritty, distorted, and mean as hell . The riff was homage to rockabilly icon Eddie Cochran's Three Steps to Heaven. Such a hidden gem and this songs needs to get more attention