This Charming Band: The importance and legacy of The Smiths

    Flashback to 1982. Fast Time's At Ridgemont High has cemented itself as an 80's classic and genres like hair metal, new-wave and hardcore punk were starting to dominate the airwaves. Take into account that MTV was launched the previous year. It's safe to say that music was one of the top entertainment forces of the year let alone the entire decade. Out of all the bands that have come out during the new-wave rock era, The Smiths are the greatest out of them all. The roots of The Smiths can be traced back to 1978 when Steven Morrissey (Morrissey) and Johnny Marr met at a Patti Smith concert at The Apollo Theater in Manchester. In May of 1982, Marr visited the home of Morrissey and asked him to form a band. Morrissey is credited with coming up with the now-iconic name as he has stated that he was shooting for an "ordinary" name.  The Smiths finally came together as Morrissey (vocals), Johnny Marr (guitar), Andy Rourke (bass), and Mike Joyce (drums). Throughout 1982 and 1983 the band would record demos of songs that would eventually end up on future albums like "The Hand That Rocks the Cradle" and 'This Charming Man".  In 1984, the band released their self titled debut to critical acclaim and produced classics like 'What Difference Does It Make?", "This Charming Man" and "Reel Around The Fountain." What made The Smiths stand out from the rest of the bands of the time were the loner/introverted lyrical style of Morrissey and the guitar style of Johnny Marr who drew influences from Roger Mcguinn of The Byrds, George Harrison, and James Honeymoon Scott of The Pretenders. The following year the band released their politically-charged sophomore album Meat Is Murder and spawned anthems like 'The Headmaster ritual" the rockabilly influenced "Rusholme Ruffiants'. The re-release of the single  "How Soon Is Now?" however proved to be their crowning achievement that year. In 1986, the release of The Queen Is Dead became the band Sgt. Peppers and became their most well-known and critically acclaimed album. However, in 1987 the band came to an end due to tensions in the band. Decades later, The Smiths are still celebrated for their brilliance and have been nominated to be inducted into The Rock and Roll Hall Of Fame twice. It's safe to say that the waiting has been long enough. Let them in! 

There hasn't been a band quite like The Smiths since and there will never be again. Despite their short career,  their impact on rock n roll cannot be underestimated.

Wer'e All Alright: Cheap Trick rocks The Wellmont theater

 Yesterday I had the pleasure of seeing Cheap Trick once more at The Wellmont Theater in Montclair, NJ. I first saw them at the same venue back in March of 2019. This time around I bought along my girlfriend and best friend including my dad. Next to The Rolling Stones (who've I also seen live) I can honestly say that Cheap Trick is truly a testament of rock n roll and are at their best when they play live. Cheap Trick was formed in 1973. The original lineup consisted of Robin Zander (vocals and guitar) Rick Neilsen (Guitar), Tom Peterson (bass) and Bun E. Carlos (drums) . The group hails from Rockford, Illinois and their contribution to rock and roll can't be underestimated. In the late 70's, disco was ruling the airwaves . Thank god we had Cheap Trick to prove that rock was very much alive. They had a Beatlmania following on Japan which resulted in the live album masterpiece Cheap Trick at Budokan . It wasn't until that live record that America finally started taking the band seriously. Being able to combine both elements of punk , pop, glam rock, and new wave along with catchy lyrics and powerful guitar hooks there is a reason why decades later the band still reigns supreme. 

Just being able to see live music was such a blessing after what we've all been through. Cheap Trick were on top of their game last night. They may be up their in age but they play with such passion and are so professional at what they do you would believe they were in their late 20's. The only changeup for the band tonight was that Robin Taylor Zander (Robin Zander's son) filled in for bassist Tom Peterson who is currently recovering from open heart surgery. Daxx Neilson (Rick Neilsen's son) was on drums and has been since 2010. The band performed songs from their latest album Another World while also providing deep cuts for true fans like "Stiff Competition" and "Top Of The World".  Their classic "Big Eyes" was also included which was a staple on their Budokan record. Of course , Cheap Trick wanted to please everyone that night. They rounded out the night with classics like "The Flame", "I want you to Want Me", 'Dream Police" and the epic "Surrender". After seeing this band twice , I can honestly say that their in my list as one of the many if not greatest live American rock acts. If you haven't seen them yet, do yourself a favor and get tickets next time their in the Garden State. It's worth it.

Stop making sense: My top 5 Talking Heads songs

 There hasn't been a band quite like Talking Heads. They were a critical part of the new-wave rock movement that emerged in the late 70's and throughout the 1980's and crossed many musical boundaries including rock, pop, art punk, post- punk and much more. Talking Heads were formed in 1975 in New York City and were active until 1991.The band was composed of legendary lead singer /guitarist David Byrne, Chris Frantz (drums), Tina Weymouth (bass) and Jerry Harrison (keyboards, guitar). David Byrne , Chris Frantz and Tina Weymouth all met while attending the Rhode Island School of Design in 1973 . Frantz and Byrne formed the band the Artistics while Weymouth provided transportation. In March 1977 Harrison was added to the lineup . That same year , they released Talking Heads 77 to critical acclaim and from there the rest is history. I've always liked Talking Heads but hearing the same songs played on FM radio constantly made me stay away form the band . Now I have new appreciation for the band. Here are my top 10 favorites from the legendary band.

5. 'Uh-Oh Love Comes to Town" Talking Heads 77 (1977)

This opening track off of the bands self titled debut is a playful, soulful and care free tune that showcases right off the bat that the band can tackle many genres. From Bryne's original vocal delivery, to Frantz in pocket drumming its an impressive first song from beginning to end . However, the highlight of this hidden gem is Weymouth's simplistic yet powerful bass line throughout the song . This song foreshadows her contributions to the band which will be a part of the secret weapon that was to become Talking Heads.

4. 'Pulled Up" Talking Heads 77 (1977)

The closing track off the bands debut album is one of their greatest hidden gems and my personal favorite off the album. This is David Byrne at his most vicious ,awkward and most personal vocal delivery. Harrison's guitar playing and Frantz drumming showcase the bands punk characteristics as it is straight forward and easily melodic . One of their best deep cuts. 

3. 'And She Was" Little Creatures (1985)

By 1985, Talking Heads were at the top of their game. With the release of 1983's Speaking In Tongues and the blockbuster concert film Stop Making Sense, they were on a role. Hidden Creatures is often overlooked because of tensions in the band and most fans saying it was too commercial. However , And She Was is arguably the best track off the album. According to David Byrne, the song was about a girl he knew that took LSD with him in a field next to the Yoo-Hoo factory in Baltimore. With a memorable guitar riff from Harrison,  killer baseline from Weymouth and Frantz best drumming on record this song proved that despite hangups in the band, they were still able to create fantastic music 

2. "Heaven" Fear Of Music (1979)

Fear Of Music is the second of the trio of albums Talking Heads would make with producer Brian Eno. Song wise this album is Talking Heads at their most ambitious and creative in my opinion. Every track is completely different from the next. Heaven is the most enduring track off the album and showcases the fantastic guitar work between Byrne and Harrison. The use of heaven in this song is vastly different from most as Byrne writes from the view of a man who sits in his favorite bar and hears his favorite song on rotation and the bar is empty where "nothing ever happens". 

1. "Life During Wartime" Fear Of Music (1979)

The lead single off the 1979 masterpiece album is Talking Heads at their best. Everything about this song is flawless. Weymouth is the soul of the song with her iconic bass line accompanied by a memorable guitar hook from both Byrne and Harrison. The song is lyrically similar to punk with the idea of questioning authority and going against the mainstream but in a different tone.  David Byrne sings from the point of view of an insurgent who is a bit paranoid and has a problem giving up the creature comforts you lose when you enter into guerilla warfare, not the least of which is music.The lyrics also have nods to the cultural elements of the late 70's including disco, changing hairstyles and even a nod to the famous CBGB venue where they got their start where they opened for The Ramones. Truly one of their best .

Had the makings of a perfect soundtrack: Why the music in The Sopranos mattered

With  The Sopranos prequel film The Many Saints Of Newark being released , my obsession and love for the iconic HBO show has come back in full force.  For the film, I loved it . It'll take multiple viewings but nonetheless it is a great fan service for fans of the game changing show. We waited a long time for David Chase to create content again so lets just take it for all its worth . Without giving spoilers the movie takes place during the Newark race riots in 1967 so lots of classic soul and R&B is showcased throughout . When it gets to the early 70's, classic rock is in full force. 

As for the series, The Sopranos had everything going for it and it doesn't take a genius why it was so successful. For starters our main anti-hero Tony Soprano sees a psychiatrist. That alone in of itself makes the show so unique . If you've seen your fair share of mafia films you know that the rule is to never rat out the members of your family and tell your secrets to nobody .However , Tony sees Dr. Melfi to help balance his panic attacks, family life and the lifestyle he has chosen. It doesn't hurt that aside from the late great James Gandolfini playing the legendary character that you have a dream supporting cast and fantastic writing that really made you forget you were watching a television program. 

Just like the writing, the music used in the series is just as brilliant if not more so. For starters let's go to the infamous finale scene. Tony deposits change into a jukebox and plays Journey's "Don't Stop Believin" which when you look back at it now is the perfect song. At this point, Tony is a dead man walking. He is either going to get whacked or live the rest of his days out in prison . Don't Stop Believin is his optimistic way of seeing his future . Who knows? maybe he'll get off scot free. That being said, the screen cuts black and it's up for us as the viewer to decide . If you can catch it , the other Journey song that could of been chosen form the jukebox was their smash hit "Any Way You Want It" which proves that you can conclude for yourself if Tony lives or doesn't . That is genius. 

If we go back to the pilot , the song used in the ending credits is Johnny Cash's ' cover of The Beast In Me" from his 1994 landmark album American Recordings . We know from the pilot that Tony is seeing Dr. Melfi to help cope with his panic attacks, family life and the lifestyle he has chosen . On top of that , we get a glimpse of what his childhood was like with his sadistic mother Livia and her turmoil with the rest of the family . This song is the perfect choice because Tony wants to control his inner demons. Hence forth 'the beast " 

In the season 3 episode 'University " The Kinks classic "Living on a Thin Line" is used during the ending credits. When watching the episode again after multiple viewings its hauntingly appropriate. Ralph Cifaretto shows his true wicked colors and beats Tracee to death. Tracee was a stripper at the Bada Bing and was pregnant with Ralphie's child. His satanic actions now have him 'walking on a thin line ". Also, the lyrics also reflect of England and its glory days and how times have changed . That same mentality can be applied to the mafia and how the glory days of the 60's and 70's are long gone.

Finally, the last track that seemingly makes the music important in the series is The Rolling Stones classic "Through and Through" from 1994's Voodoo Lounge. This is played during the season 2 finale as Tony sacrifices friendship for business and kills Sal "big pussy" Bonpensiero for ratting out the family. The song  showcases Tony Soprano's endangerment of what he's been through , what's occurring at the moment , and what is to come. 

This show is truly the greatest of all time .You don't need to hear it from me . See for yourself if you sadly haven't already . 

Forever getting his Yeah Yeah's out-Charlie Watts dies at age of 80

 On Tuesday , August 24th, the rock community suffered a devastated gut punch . Legendary drummer Charlie Watts of The Rolling Stones passed away at the age of 80. I'm still trying to wrap my head around this tremendous lost . I want to keep believing it's not real . I heard the news while I was record shopping with my girlfriend over the speaker. The DJ was talking about Watts but in the past tense so I was puzzled. I knew he had to back out of the bands upcoming dates due to health reasons and I believed he was healthy and in a full recovery . Sadly I was mistaken . I couldn't believe it when I looked on Facebook and saw that Rolling Stone magazine posted the news. Fans of this site know I saw The Rolling Stones back in the summer of 2019 so hearing of Watt's passing hits even harder. The Stones are quite arguably the greatest rock and roll band in the world. You have Mick Jagger, the greatest frontman of all time , the immortal guitar god Keith Richards and legendary rhythm player Ronnie Wood. The reason why all 3 members gel so well together ? It was because of the backbone and heartbeat of the band that was Charlie Watts. Watts wasn't known for his flashy fills and crazy antics like fellow contemporaries Ginger Baker and Keith Moon. It was his in pocket, on time playing that made him so legendary. Charlie Watts (born Charles Robert Watts) came into this world on June 2nd, 1941 and hailed from London. From an early age he was self taught on the drums and grew up listening and loving Jazz. He was schooled on the music of Louie Armstrong and Miles Davis. Watts already was a superstar in the London club scene in the early 60's and The Rolling Stones practically had to beg him to join . He was reluctant at first and even turned it down at first , but thankfully he reconsidered. It's astonishing to know that Charlie Watts has played on every Rolling Stones recording and tour with Mick and Keith being the only other band mates to do so . No matter what musical route the band took , Charlie was there at the forefront keeping the beat. It's hard to pinpoint songs to showcase his abilities but I have surprisingly came down to 2 that  in my opinion showcase his greatness. "Get Off My Cloud" is the first song that pops into my mind when I think of Watts and his playing . The song itself is vintage and classic Rolling Stones at its core . However, it's Watts song. Right from the opening beat he never slows down and continuously uses fills throughout the tune. "Honky Tonk Women is quite possibly Watts best drum track recorded . Jimmy Miller opens with the iconic cowbell . However, it's Charlie's simplistic and in pocket drumming that makes the intro (along with Keith's riff) so iconic . It's a simplistic drum beat yet it is and forever will be unforgettable. Time does heal wounds and it's going to take a while for the rock community to move on . It also reminds us that the Stones are human too just like us and that life is a precious gift . 80 is one heck of a run .To say he had the life would be an understatement . Rest In Peace Charlie Watts. Truly one the of greatest. 

Meet the new boss same as the old boss: The Who's Who's Next at 50

On August 14th, 1971 The Who released their 5th album titled Who's Next. By 1970, The Who were flying high and considered one of the greatest live acts at the time with Live At Leeds being released back in February of that same year. However , the bands original fan base was starting to fade. The Mod movement from the early 60's were long gong and the original followers from Shepard's Bush had jobs and started families. The band was still touring on the success of their rock Opera masterpiece Tommy but Peter Townshend was getting bored with the stale setlist and wanted to create new material. Who's Next  was originally going to be Lifehouse which was going to be a follow up rock Opera to Tommy but it fizzled into obscurity. Instead Who's Next was going to be a straight up rock and roll record and its safe to say we're glad it ended up that way.  Ethan Russell shot the now legendary album cover which depicts the band urinating on a large concrete piling.

The album itself falls into the same category with the likes of The Doors debut LP and Revolver by The Beatles . There isn't a single song that you skip because its that perfect. Right from the opening synthesizer notes of "Baba O'Riley" and you know you're in for something special . Those opening notes are so iconic that anyone can recognize it. "Bargain" is a rollocking rocker and Pete Townshend's ode to his spiritual guru to Meher Baba. Townshend's rhythm guitar playing is in full swing here along with Keith Moon's god like drumming . 

"My Wife" showcases bassist John Entwistle once again on vocals. As the story goes , he wrote the song as frustration with his wife because he was out partying way too much. "Going Mobile" has Pete Townshend take vocal duty and it's one of the best driving songs you can have in your arsenal when hitting the road. It's a fast-pace rollocking acoustic number in E and is a thrill ride from start to finish. Townshend's vocal delivery is cheeky and Moon's drumming is off the wall genius. 

"Behind Blue Eyes" is the bands best ballad . Period. It has beautiful guitar playing from Townshend and the lyrics are some the best he has ever written. 

The closer "Won't Get Fooled Again" is one of rocks greatest anthems . The Who have never sound better on record. Everyone brings their best to the table. Pete's punchy rhythmic playing , John's tight bass work and of course Keith's drumming and Roger's legendary vocal delivery. The best part of the song is that iconic drum fill from Keith Moon which then resonates into Daltrey's iconic scream.... "YEAHHHHHHHHHHHH"!!!.. pure rock n roll swag. 

50 years on, the album is still as fresh as it was when it was released . It's a record I'll never get tired of listening . Critics and fans have hailed it the bands best record and I'm inclined to agree. It's The Who in their purest form. A must have for everyone . Listen. You'll thank me later. 

Grand Funk Railroad: An overlooked and unappreciated power trio

 Since the birth of what we now know as Rock criticism there have been plenty of bands that have been loved by fans but loathed by critics. Led Zeppelin is the band that comes to most peoples minds and for good reason . However, the one band that truly were the underdogs were none other than Flint, Michigan's very own Grand Funk Railroad . Grand Funk was formed in 1969 by trio Mark Farner (guitar, vocals, keyboards, harmonica), Don Brewer (drums, vocals) and Mel Schacher (bass). The band was heavily influenced by British power trio Cream and with the help of manager Terry Knight, they started to develop a devoted following. I must admit that when I first started listening to Grand Funk I was stuck in the FM radio cycle of hearing the same songs being played over and over like "Closer to home (I'm Your Captain), 'Wer'e an American Band" and their cover of the Brothers Of Soul song "Some Kind Of Wonderful." Thanks to Spotify , I started to really dig into their catalog and I eventually got some of their catalog on vinyl respectfully. For me, the band really found their footing on their second album Grand Funk which is commonly known as the red album. The album kicks off with the explosive "Got This Thing on the Move" and it was this song that made me rethink Grand Funk in a whole new way. All 3 members of the band really know their instruments and their craft and they just cook together seamlessly. The rollocking drumming of Don Brewer , the flashy blues playing of Mark Farner and the louder than life bass playing from Mel Schacher all blend beautifully and it proves that Grand Funk are a band to be reckoned with. Another standout track from that album is "High Falootin' woman". Like the previous song I mentioned , all band members blend beautifully. Mark Farner though is the standout on this track with amazing guitar chops and showcases Johnny Winter fast pentatonic scale runs that are very tasty and they truly groove. 

For their next album Closer To Home there are hidden gems throughout . I still love "Closer to Home (I'm your Captain) as its an epic. The hidden gems on this album though are the ones that do it for me however. The kickoff track "Sin's a Good Man's Brother" is a rollocking hard rock epic with killer guitar playing and is a fan favorite and recently has been cover by guitar prodigy Marcus King and his band The Marcus King Band which is a killer cover. "Nothing Is The Same" is my favorite from that album because it showcases that the band can groove and play fast and they balance the two elements effortlessly. 

Their live album Live Album only further cemented their legacy as a great band . The album showcases that band can really be energetic and tight on stage and proved that they can be a killer live act just like The Who and The Allman Brothers . 

As mentioned, the band has been lauded by critics since their inception. However fans will beg to differ. The band has also had their fair share in popular culture as most notably in The Simpsons timeless episode "Homorpalooza" as Homer goes into great detail with Bart and his classmates on how great Grand Funk is.  Grand Funk is the ultimate underdog band and are a force to be reckoned with . Do yourself a favor and give them further listening you'll be surprised just how good they are. 

A rebel without a clue: Tom Petty's Into The Great Wide Open at 30

On July 2nd, 1991, Tom Petty and The Heartbreakers released their eighth studio album Into The Great Wide Open . This was the first album Petty did with his legendary backing band since their 1987 release Let Me Up (I've Had Enough) . I've always preferred this album over Full Moon Fever because of the quality of the songs and because The Heartbreakers were once again backing up Tom Petty. This album as a whole is a testament to not only the band but to heartland rock itself. At the time of the release, 1991 was the year that grunge skyrocketed into the mainstream . Bands like Pearl Jam (Ten), Nirvana (Nevermind), and Soundgarden (Badmotorfinger) were cementing their own legacy into society and each album is a cornerstone of the movement. Into The Great Wide Open proves that good old fashioned Americana/hearltand rock and roll music was and is still as relevant. Not only does this album have great hit singles , the album itself is flawless. For starters , you have "Learning to Fly" which is an uplifting anthem with a classic chord progression and a killer slide solo from Mike Campbell. The title track has a Springsteen style narrative about a young kid named Eddie who after graduating high school heads out to Hollywood to make a name for himself in the music scene. Petty's lyrical are autobiographical as Eddie "made a record and it went in the charts" and how the "A&R man said I don't hear a single". To accommodate to the times with MTV dominating the small screen, the band also accompanied the song with a now iconic music video which features a young Johnny Depp. The album is also packed with hidden gems like the rollocking "Kings Highway" and the laid back Byrds influenced "Two Gunslingers" and cements the fact that Tom Petty was an incredible songwriter. It's hard to believed this album is 30 as it still sounds fresh every time I listen to it and I always seem to find something new to love about. If you haven't given the album a listen in its entirety , I highly say you should do so. 

Better Be Good To Her: Tina Turner's new HBO documentary hits all the right notes

I finally got around to watching the new Tina Turner documentary Tina on HBO Max . Going into it,  I've heard of the stories of her domestic nightmare relationship with Ike Turner and how in 1984 she released the multi platinum Private Dancer, which was the ultimate comeback for any musician at the time . With this new documentary I have a newfound respect and admiration for Tina Turner. This documentary holds nothing back when going into great detail about her mentally unstable relationship with Ike Turner, to her career comeback and to the present day. I won't give too much away . Your job is to see the documentary for yourself . Although I have been only digging  more into Tina Turner's catalog as of late I have to say that her work that she made with Ike Turner is truly her best work . Prior to Tina joining forces with the now infamous Ike Turner was believe it or not well respected in the music community. He is credited of writing the first ever rock n roll record for Chess Records titled "Rocket 88" though Jackie Brenston and his Delta Cats are the ones present on the recording. When the two finally met, there was no stopping the powerhouse duo . Their first hit was "A Fool In Love" released in 1961. In 1966, the duo teamed up with the infamous record producer Phil Spector to record the legendary "River Deep, Mountain High." The duo continued success in the 1970's with their most memorable hit "Proud Mary" a cover of the CCR classic. In music, a cover is a lot to undertake as people tend to stay with the original recording . It's safe to say that their cover is the definite version . It starts out slow and soulful then goes into pure rock n roll overdrive with Tina's voice being front and center .Apart from her sultry and legendary vocal delivery, she truly knows how to be an entertainer . It's been said that Tina Turner was the one that taught Mick Jagger how to dance and Mick defiantly draws inspiration from the true queen of rock n roll . What's more is that even despite being with the nightmare that was Ike Turner, she was able to deliver a knockout performance night after night while touring and keep a positive attitude throughout it all. Truly inspiring. If you haven't yet, go watch Tina . It's truly a work of art and shows that Tina Turner is truly the queen of rock n roll and a role model for all. 

A Sultry Legacy: Sticky Fingers at 50

 This past Friday, The Rolling Stones celebrated yet another milestone. Is it that this coming summer mick Jagger will be 78 and still has the energy of a 23 year old ? While that is a given fact , no that's not it. Is it that it's a miracle Keith Richards is still alive and will probably outlive us all ? While that's also a cold solid fact that's not it either. This past Friday The Rolling Stones celebrated the 50th anniversary of their 1971 masterpiece Sticky Fingers. When it comes to ranking The Stones studio albums, Sticky Fingers is always runner up to Exile On Main St. in many fans list as their  best work. It's my in top 3 for sure and it's for good reason. This album marked a turning point in the bands career from a public relations standpoint as this album would be the first released under their own record label Rolling Stones records. Prior to 1971, the band was signed Decca/London Records and now the band had complete artistic control. The now iconic album cover was designed by Pop Art icon Andy Warhol and some copies even included an useable zipper. Sticky Fingers also marked the first album with then new guitarist Mick Taylor as he was the replacement for founding member Brian Jones who died two years prior . As for the songs, it's the stones at their raunchiest and it's beautiful. The album opens with "Brown Sugar" and its the bands at their most beautifully obscene. Jagger's swagger and vocal delivery , Charlie Watts driving drum groove, Bobby Keys soaring sax solo , this song runs on all cylinders. Of course , the driving force behind this classic tune is none other than Keith Richards open G guitar riff . The opening two chords have become so recognizable that you instantly know what song it is . It's a blast to play on guitar and is a fantastic rhythmic exercise and showcases how Keith is an incredible player. For the next track, the band takes a step back and crank out the emotionally driven "Sway". The song is most notable for its outro solo played by Mick Taylor and is soulful , passionate and full of feel . 

"Can't You Hear Me Knocking" is a 7 minute swaggering ride . It features another iconic  open G guitar riff from Keith Richards and the band just cooks on the outro jam that carries the rest of the song. Mick Taylor brings tasty licks and Bobby Keys wails on his tenor sax. This song alone is the standout track on side 1.

"Sister Morphine" is an haunting acoustic ballad about a man who gets into a car accident and is rushed to the hospital and dies while asking for morphine. Session legend Ry Cooder provides the excellent haunting slide guitar while Keith lays down the rhythm on acoustic guitar.  

"Dead Flowers" is a tongue and cheek country epic that once again prove that the Stones can tackle many different genres effectively and country-rock is defiantly their best outing . It's a simple 3 chord progression of D, A, and G. Mick Taylor provides pays homage to country music as he delivers a classic country guitar solo using the D major pentatonic scale. I got to see the band perform this song back in 2019 and it was a real treat.

The album closer "Moonlight Mile" has to be one of The Rolling Stones most underrated ballads. The open G acoustic guitar part was actually played by Jagger himself . "Moonlight Mile" is strictly just mick Jagger and Mick Taylor as Keith Richards had become strung out by the end of the recording sessions for the LP. The song is a haunted country rock ballad and the lyrics depict of a man driving on the open road in the dead of night to be reunited with his girl. It's a great closer to a legendary record.

Sticky Fingers may be 50 now, but the album still sounds fresh and innovating as it did then. Each time I listen to it , I find new meanings in all of its songs and how it is musically structured. It's a flawless album and deserves all the praise that it gets . Do yourself a favor and play this record and play it loud. 

Mr Mojo Risin: The Doors L.A. Woman at 50

The Doors swan song L.A. Woman was released 50 years ago today on April 19th, 1971 on Elektra Records. By 1971, The Doors legacy and popularity was on the rocks but luckily they were able to bounce back with their 1970 classic Morrison Hotel which was lauded by critics as their return to their blues roots while adding their signature sound. However, their legendary frontman Jim Morrison was in bad shape. Prior to recording, the past year he was arrested in   New Haven, Connecticut for indecent and immoral exhibition and breach of peace and he resisted arrest in Phoenix, Arizona where he was charged with abuse with an in-flight attendant while also interfering with the aircraft. Physically, he wasn't in the best of shape . He drank continuously and developed a beer belly, grew a beard, and was on and off again with his use of drugs. However, despite with all that was stacked against them the band was able to create a masterpiece that many consider the bands best album next to their debut LP and I'm inclined to agree. "Love Her Madly" showcased once again Morrison's crooner knack as he was influenced by Frank Sinatra and the title is taken from a saying Duke Ellington would say to the audience at his shows . It's a laid back groovy jam in A minor and is just a joy to listen to. However, this song single handedly ended the bands friendship with their longtime manager Paul Rothchild who coined the song as "cocktail music." he couldn't be more off the mark. The title track is truly one of rock and rolls greatest anthems , The song is a tribute to the bands hometown and about hitting the open road. It's a two chorded masterpiece as it revolves just around A major and G major and showcases why the band works so well musically. You have Robby Krieger's simple yet effective blues phrasing , Ray Manzarek's rollocking piano , John Densmore's sophisticated drumming and of course Morrison's epic vocal delivery. The song is legendary for its build up bridge section with Morrison chanting "Mr Mojo Risin" over and over which builds and builds until Morrison releases his signature rock n roll howl . John Densmore has stated in later interviews that "Mr Mojo Risin" is an anagram for Jim Morrison himself. The band doesn't shy away for showing their blues influences once again with 2 original compositions being the  rollocking "Been Down So Long' and the slow infused bluesy "Cars Hiss By My Window." 

The closing track "Riders on The Storm" is the closest The Doors ever gotten to jazz and once again showcases the bands talents with Krieger's country-western guitar and Ray Manzarek's haunting piano. Sadly, this would be the final album The Doors would release with Jim Morrison. Jim Morrison would pass way two months later on July 3rd, 1971 in Paris, France due to an heroine overdose. 50 years later, The Doors continue to inspire musicians with their one of a kind musical style and like James Dean, Morrison has cemented himself as the ultimate sex symbol. The Doors are truly up there with one of America's greatest bands and this album is a testament to their infinite legacy. 

The Garage-Rock/New wave savior- How The Strokes revamped the New York City rock n roll scene

 At the beginning of the new millennium , rock n roll was at a crossroads. At this point in time, the rock landscape was dominated by Nu Metal bands like Limp Bizkit, 90's vets Korn, and Puddle Of Mudd were dominating the airways. Then in the fall of 2001, the rock scene was turned on its head and the garage rock/ new wave rock renaissance was born. Enter The Strokes. The Strokes formed in New York City in 1998 with frontman Julian Casablancas, guitarists Nick Valensi and Albert Hammond Jr., bassist Nikolai Fraiture and drummer Fabrizio Moretti. Their debut LP Is This It? was released in September of 2001 and it became an instant success with critics and fans alike. Songs like "Last Nite",  and "Someday" are heavily influenced by the New York City legendary punk band Television and Indie rock pioneers The Velvet Underground which the band has stated in multiple interviews on how they were a key influence for their sound. "The Modern Age" is Casablancas's take on oddness on which is modern life and the hidden gem "Trying Your Luck " features killer guitar work from Valensi and Hammond while Casablancas sings melodic melancholic vocals. The band toured relentlessly traveling all over the world. For their North American leg of the tour they opened consistently for The Rolling Stones and even shared the stage with fellow legendary Detroit son  Jack White of The White Stripes. 

2003's Room On Fire was released in October of 2003 and was met with critical acclaim by critics despite it gaining success commercially . Room On Fire contains their hit single "Reptilia" and other songs that are often overlooked like the underrated gem "Meet Me In The Bathroom" and the rocking "You Talk Way Too Much." 

As of 2020, the band released their latest album The New Abnormal which was produced by studio guru Rick Rubin. Critics praised that the album is a return to form of the classic Strokes we have come to love . I really started getting into this band late last year and its safe to say I'm a huge fan. I really love their musicianship and its great to know that bands like The Velvet Underground and Television influenced them while in the process have paved the way for bands like Arctic Monkeys and The Killers. I recently acquired Room on Fire on vinyl and its ear candy. Next on the hunt; their debut of course.

I am a golden god!-Why Almost Famous is the pinnacle of music films

     My girlfriend and I recently sat down and watched Almost Famous together. It was her first time seeing it. I've seen the movie countless times so I decided to watch the movie through her point of view. That being, watching like it was my first time . Glad I did. Almost Famous is a comedy-drama and above all musical movie directed by former Rolling Stone writer and director Cameron Crowe. Prior to Almost Famous, Crowe directed the 80's classic Say Anything... and Jerry Maguire. Almost Famous can also be classified as semi-autobiographical because Crowe did tour with bands like The Eagles and many more. The movie follows  high school student William  Miller (Patrick Fugit) as his love for rock n roll becomes the focal point of his life while growing up in the 1960's (just like Crowe did). Despite his conservative mother Elaine , played by the great  Frances MacDormand , he continues to expand his love and knowledge of rock n roll largely due to his sister's record collection (listen to Tommy with a candle burning ). 

    After Willam meets with legendary music critic Lester Bangs, who is played brilliantly by  Phillip Seymour Hoffman, he finally gets to write his first true article for Rolling Stone magazine . He is sent to a Black Sabbath concert to write a review on the opening band Stillwater . From there , he meets the gypsy/roadie Penny Lane (Kate Hudson) and forms a strong bond with not only her but with Stillwater's guitarist Russell Hammond (Billy Crudup)

Aside for my love for music, my second greatest passion is movies. This movie is defiantly in my top 10 and for good reason. This film beautifully showcases the role a music critic has in shaping a bands legacy and following. There have been countless bands in rock n roll history that have been loved by fans, but despised by critics. Bands like Led Zeppelin , Grand Funk Railroad, and even AC/DC weren't well received by critics at the time. This movie proves that not all critics are the same because throughout the movie , we see William write his true feelings on Stillwater which are chronicled while being on tour with them and his own appreciation for them . This movie alone is the reason why I created this blog. 

The film also cleverly represents on how the majority of rock bands acted while on the road touring. It really puts the saying "sex and drugs and rock n roll" intro perspective. Russell Hammonds "I am a golden god!" scene showcases all of this perfectly.

Lastly , but certainly not least, the soundtrack . The soundtrack used for Almost Famous is flawless. The songs used compliment the scenery and mood perfectly . Simon and Garfunkel's "America" is used at the begging of the movie as Willam's sister Anita drives off with her boyfriend . That's a perfect song for not only the scene, but for the time period . Anita is part of the counter culture movement and with the rebellious action of her fleeting her home , "America" is a symbol for freedom .

The most famous use of the soundtrack comes with the band singing along to Elton John's classic "Tiny Dancer" on the tour bus . The scene is now considered iconic and in the process introduced John's classic to a whole new generation of fans . The scene is also powerful because prior to the scene, Stillwater had a heated argument between its members and even lashed out on William. With the band singing in unison to "Tiny Dancer" it proves that music truly brings society together and that music can heal. 

This movie is truly a masterpiece . If you haven't seen it, please do yourself a favor and get on it . It'll be worth it. 

Sweetheart of the Rodeo- Why it's The Byrds masterpiece

 Released on August 30th, 1968, Sweetheart of the Rodeo was released by The Byrds . By 1968, Co-founder David Crosby was out of the band due to his radical comments between the bands setlist at the Monterey Pop Festival. With Crosby out it looked like one of folk rocks most prominent groups was on the rocks. That changed once Sweetheart of the Rodeo was unleashed across the country . The saving grace for the band was new recruit 21-year old Gram Parsons. Parsons was passionate for country music at the time and was consistently listening to Merle Haggard and Buck Owens . Both Buck Owens and Merle Haggard were the pioneers in the "Bakersfield Sound" which is a subgenera of country music that originated in Bakersfield, California and incorporated electric guitars along with the fiddle and pedal steel guitar and was a musical rival for the clean and orchestral Nashville sound.  To add that rivalry, Parson's insisted that the band record the LP in Nashville .

Sweetheart of the Rodeo is country-rock at its finest and would become a major influence in not only country music , but for many other country-rock oriented bands to come like The Eagles and The Marshall Tucker Band. The album kicks off with "You Ain't Going Nowhere". The Byrds always knew how to cover bob Dylan properly and this is their best attempt by far. Right from the start you hear the iconic and blissful pedal steel lick by session legend Lloyd Green and what follows is nothing short of a 3 chord masterpiece. The next track "I am a Pilgrim" is highly influenced by American bluegrass with John Hartford on fiddle and guitarist Roger McGuinn providing fantastic banjo accompaniment. You can clearly tell that Bill Monroe and Earl and Scruggs influences were sprinkled throughout. 

The albums standout track though is Gram Parson's penned "Hickory Wind". 'Hickory Wind" is one the best country rock songs to date . Parson's lyrics tell of a narrator who is in a faraway city with a faraway lonely feeling . With a sweeping melody and Green's soulful pedal steel , it proved that Parson's was really in a league of his own. The song would gain even more legacy as The Byrds would play The Grand Old Opry . The Byrds already were on thin ice due to their appearance since the Opry weren't keen on long haired musicians/performers playing the now immortal venue . The band was supposed to cover Merle Haggard's "Life In Prison". Parson's refused and announced to the crowd they would play "Hickory Wind" as the song was  a tribute to his mother who loved country music. Pure outlaw attitude. 

Sweetheart of the Rodeo was a game changer in both country music and rock n roll. It proved that both genres can combine to create true Americana music . Without Parson's genus , beloved bands like The Eagles , and  The Marshall Tucker Band wouldn't exist. On top of that, Keith Richards would become close to Parsons and the now Stones classic "Torn and Frayed" was influenced due to Parsons. For country music, the album and parsons would be the blueprint for the Outlaw movement which would go on to cement the careers of Waylon Jennings and Johnny Paycheck who would deny Nashville's rules and dress code (long hair) 

This album is truly a work of art . If you haven't really given The Byrds a chance after they drifted from folk/psychedelic , you should because it will open your mind to country music . It did for me. 

Rock N Roll isn't dead: The Pretty Reckless 'Death By Rock N Roll" is keeping the torch lit

When it comes to current rock n roll bands , The Pretty Reckless are unquestionably at the top of the modern rock food chain.  I became an avid fan about 2 years ago . A friend of mine told me about them and thanks to Spotify , I was able to instantly look up their catalog . I was completely blown away . The first track I've ever heard from them was "Take Me Down" off their 2016 release Who You Selling For. Right then, I knew the band was special . The Pretty Reckless have an incredible musical chemistry and all band members play off each other flawlessly. What really stood out to me was their lead vocalist Taylor Momsen . She rose to fame in the CW cult classic television show Gossip Girl as the Jenny Humphrey. Gossip Girl was all the rage when I was in middle school. Her vocal range is just incredible and I had no clue she had that much monumental talent with vocals resembling Joan Jett and Janis Joplin to name a few  influences. 

The Pretty Reckless was formed in NYC in 2009 with Taylor Momsen on vocals, Ben Phillips on lead guitar, Mark Damon on bass and Jamie Perkins on drums . Since then, the band has skyrocketed in the rock community and with three successful LP's under their belt, there's no stopping them. Death By Rock N Roll continues that momentum. The title tracks a killer rock n roll groove with crunchy , distorted guitar that sounds fantastic. Even more impressive are Momsen vocals when she lets out a devilish scream . You can really tell she bought her A game to this record. 

"Only Love Can Save You Now" is the bands love letter to 90's grunge. It its a fitting love letter since the song features former Soundgarden members  Kim Thayil (guitar) and Matt Cameron (drums). Taylor Momsen channels her inner Chris Cornell while Cameron provides a steady groove on drums and Thayli just slays on the guitar while shredding , also shows incredible feel. 

On "My Bones" You can tell the band was influenced by British heavy metal gods Black Sabbath. The opening bass riff from Damon is a tip of the hat to Black Sabbath's doom metal classic 'Children Of the Grave" and Phillips guitar is beautifully distorted and heavy and is the backbone for this rocking heavy tune. 

"25" is a soulful Led Zeppelin Kashmir inspired rock n roll ballad . Because the song has lots of space musically , this song fully showcases Monsmen's true vocal talent as she can belt out incredible high notes and still able to have her voice flow flawlessly throughout.

Death By Rock N Roll is a tremendous  record from The Pretty Reckless . This band is truly at the the top of their artistic game and they're going to be around for a very , very long time I can guarantee you that. 

I Don't Need No Doctor: The legacy and importance of Humble Pie

 Over my Christmas break, I started to really dig deep into the catalog of Britain's monumental supergroup Humble Pie. Like many , I only knew of Humble Pie because of their smash hit "30 Days In the Hole" which is a great song in of itself , but I wanted to dig much deeper . I received their noteworthy live double LP Performance: Rockin The Fillmore for Christmas, and the floodgates bursted open . Chemistry in any band is critical not only for the lead singer and lead guitarist, but for every member of the band (rhythm guitarist, bassist, and drummer). Beloved acts like The Allman Brothers Band, The Beatles, The Rolling Stones, The Band, and Green Day (to name a few) have that perfect chemistry of musicianship and each member brings their craft to create the bands signature sound . Humble Pie without question joins that list. Humble Pie was formed in Moreton, Essex in 1969 and in the footsteps of Cream were one of the founding supergroups in rock . The bands original lineup was the late great Steve Marriott of  Small Faces, Spooky Tooth's bassist Greg Ridley , Jerry Shirley from The Apostolic Intervention , and vocalist and guitarist from The Herd; who was none other than Peter Frampton . The band was starting to come into their own with their first two albums As Safe Yesterday Is and Town and Country.  With the release of Rock On in 1971 however , Humble Pie were starting to outshine the headline act. However , their shining moment for me personally is Performance: Rockin The Fillmore which was also released in 1971.

This double live LP fully captures Humble Pie in their prime. For starters, Steve Marriott was a fantastic frontman/ guitarist . Right from the opening number 'Four Day Creep" you can hear him interact with the crowd and more so on their cover of "Rolling Stone". Both Marriott and Peter Frampton are criminally underrated guitarists and with songs like their own "I Don't Need No Doctor" (which Frampton came up with the iconic riff while warming up at a MSG show), "Stone Cold Fever" and the cover of "Four Day Creep", showcases that both players can really groove and provide fantastic and tight distorted blues licks and rhythm . Also to add; Peter Frampton adds some mixolydian scale soloing which is impressive. 

As for Greg Ridley and Jerry Shirley, they are a fine rhythm section . Ridley's melodic and steady bass playing carries through smoothly for each song and Jerry Shirley knows how to play in the pocket, keep a steady beat, and gives killer fills when needed . 

By 1975, The Pie continued to have future success with Clem Clempson who replaced Frampton while also focusing on other projects . As for Peter Frampton , well I think it's safe to say how he made out (Frampton Comes Alive ring a bell?) .

However, nothing will ever come close to that original lineup that made Humble Pie so special and a force to be reckoned with. Humble Pie were one of those rare bands that had fantastic studio records , but like their fellow comrades The Who, when they played live they truly were something else. 

Grab a copy of Rockin The Fillmore or any of their other LPs because believe me when I say you won't be disappointed.